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This Week In Grateful Dead History #48 (Week of 12/1)

A picture of a skull and roses with the words "This Week in Grateful Dead History"

For the week of December 1st through December 7th, I feel that the band’s history is defined by incredible runs, including the intimate Felt Forum shows in New York. It seems to me that Pigpen was really hitting his stride during that 1971 run after his medical leave, noted for "cranking things up several notches" compared to previous shows. Furthermore, I notice that this week holds the somber anniversary of the Altamont Speedway Free Festival tragedy, which occurred on December 6, 1969. Finally, I believe the energy was particularly inspiring during the 1990 West Coast shows when Vince Welnick and Bruce Hornsby joined, with Bruce’s keyboard work really standing out. This week I’ve written 22 listening guides to cover all of that and more. I hope you all had a nice Thanksgiving, and I’ll see you next week. I can’t believe there isn’t even 5 full weeks left in 2025…

 

12/01/1971, Music Hall, Boston, MA

12/01/1973, Music Hall, Boston, MA

12/01/1979, Stanley Theatre, Pittsburgh, PA

12/02/1973, Music Hall, Boston, MA

12/03/1979, Uptown Theatre, Chicago, IL

12/03/1981, Dane County Coliseum, Madison, WI

12/03/1990, Oakland Coliseum Arena, Oakland, CA

12/04/1971, Felt Forum, Madison Square Garden, New York, NY

12/04/1973, Cincinnati Gardens, Cincinnati, OH

12/04/1979, Uptown Theatre, Chicago, IL

12/04/1990, Oakland Coliseum Arena, Oakland, CA

12/05/1971, Felt Forum, Madison Square Garden, New York, NY

12/05/1979, Uptown Theatre, Chicago, IL

12/05/1981, Market Square Arena, Indianapolis, IN

12/05/1992, Compton Terrace Amphitheatre, Tempe, AZ

12/06/1971, Felt Forum, Madison Square Garden, New York, NY

12/06/1973, Public Hall, Cleveland, OH

12/06/1980, Recreation Center, Mill Valley, CA

12/06/1981, Rosemont Horizon, Rosemont, IL

12/07/1968, Knights Hall, Bellarmine College, Louisville, KY

12/07/1971, Felt Forum, Madison Square Garden, New York, NY

12/07/1979, Indiana Convention Center, Indianapolis, IN


If you like these weekly listening guides, and you want to support me, please consider buying a copy of my book On This Day In Grateful Dead History: A Daily Listening Journal. They're $50 and I offer free shipping if you subscribe to my mailing list, where you'll get these writeups delivered. No spam, I promise!


As I write up each week's listening guides, I mark up my copy of the book like this:


A picture of the book On This Day in Grateful Dead History with underlined song highlights and highlighted Jam Anthem songs

The underlined songs are the ones I'm calling out as highlights in the listening guide, and the songs highlighted in yellow are the ones that Howard Weiner has identified as Jam Anthem renditions. I also write notes in the space provided if I'm feeling inspired or if there are any updates such as newly released material. Ultimately you can use it however you want, but this was my original intent with the book.


So grab your copy of the book if you have it to follow along. Ok, let's jump into it. Here's the highlights for Issue 48, for the week of December 1st, 2025:


Interesting historical facts for this week in Grateful Dead history:

  • Altamont Speedway Free Festival tragedy (12/6/1969)

  • Only known performance of Rosemary (12/7/1968), Muddy Water (12/5/1971)

  • Only time they ever played Wharf Rat to open the second set (12/2/1973)

  • Only time they ever played Johnny B. Goode to open a show (12/4/1973)

  • Only time C.C. Rider was played with a double-time beat (12/5/1981)


By the way, if you're new here, this is my weekly listening guide that brings you the most interesting and significant facts from Grateful Dead History, along with reviews of the music for the week ahead. The idea is to give all you Heads a "Heads up" on the interesting and cool stuff the Grateful Dead were up to on this week in history. So hit the Subscribe button below to go to the top of my blog page where you can enter your email to get this delivered to your email every week!




December 1st

 

12/1/1971 Music Hall, Boston, MA - The band was definitely “on” for this one, and what we have from the soundboard of the second set sounds fantastic. There’s also an audience tape that covers the whole performance, though with some cuts from tape pauses, and I find it a little tough to listen to compared to the board. The circulating soundboard tapes (I especially like SHNID 76424) are excellent and capture the energy beautifully. The entire second set is a highlight, but my favorite stretch is the Cryptical > Drums > Other One > Me & My Uncle > Other One sequence, followed by the fiery NFA > GDTRFB > NFA. It’s a thrilling run of music that shows the band at full power.

 

12/1/1973 Music Hall, Boston, MA - 2nd of a 3-show run. This might be the weakest of the three shows in the run, but for 1973 there’s still a ton of incredible music worth hearing.

 

The first set has some strong moments—Sugaree is heartfelt and soulful, Tennessee Jed rolls along with its easy groove, and the China Cat > I Know You Rider sequence is bright and joyful. Big River adds a burst of energy, and the Weather Report Suite > Let It Grow is expansive and beautifully played.

 

The second set keeps things interesting. They Love Each Other is sweet and relaxed, and Me & My Uncle comes with some hilarious rapping afterward that cracks me up every time. Don’t Ease keeps the mood light, and the Playing > Uncle John’s Band > Playing sequence is a real centerpiece, with Uncle John’s Band described as a Jam Anthem version—deep, exploratory, and powerful. Greatest Story punches hard, and the closing NFA > GDTRFB > Saturday Night sequence is pure celebration, sending the show out with high energy.

 

12/1/1979 Stanley Theatre, Pittsburgh, PA - 2nd of a 2-show run. The boys came back for night two and delivered another scorcher of a performance. The first set is excellent all the way through. A rousing Jack Straw > Sugaree stands out early, and other highlights include a tight Me & My Uncle > Big River, a gritty Minglewood, a soulful Althea, and a joyful Music Never Stopped that closes things out with plenty of fire.

 

The second set keeps the energy flowing. The China Cat > I Know You Rider sequence is bright and full of momentum, and later on there’s a really unique jam stretch: He’s Gone > Gloria Jam > C. C. Rider > Jam. It’s adventurous, unexpected, and shows the band stretching out in creative ways that make the whole set feel special.



December 2nd

 

12/2/1973 Music Hall, Boston, MA - 3rd of a 3-show run. Officially released on Dick's Picks Volume 14. This is a very nice show from the final tour of ’73, with the band sounding sharp and fully engaged.

 

The first set has plenty of standout moments. Brown Eyed Women is crisp and lively, Ramble On Rose is playful and well-sung, and Row Jimmy carries a gentle, soulful touch. Big River adds a burst of energy, while the Weather Report Suite > Let It Grow sequence is expansive and beautifully executed.

 

The second set feels like one long highlight. Wharf Rat opens the set—a rare choice, and in fact the only time they ever did that. It’s a heartfelt version that flows seamlessly into an upbeat Half Step. From there, the band dives into a massive jam sequence: Playing > Mind Left Body Jam > He’s Gone > Truckin’ > Stella Blue, each piece unfolding naturally into the next. The Morning Dew encore is the perfect capstone, powerful and emotional, closing out an excellent show.



December 3rd

 

12/3/1979 Uptown Theatre, Chicago, IL - 1st of a 3-show run. Officially released on Dave's Picks Volume 31. This show hits all the right buttons for me—there’s awesome energy, passionate singing and playing, and a really strong song selection throughout.

 

The first set is full of highlights. Alabama Getaway > Promised Land bursts with drive and excitement, Brown Eyed Women is crisp and melodic, and All Over Now adds a gritty edge. Jack A Roe is tender and heartfelt, while Lazy Lightning > Supplication is sharp and fiery. Althea brings soulful depth, and Music Never Stopped closes the set with joyful groove and tight ensemble work.

 

The second set keeps the fire burning. Scarlet > Fire is vibrant and flowing, Samson hits hard with its rhythmic punch, and the Terrapin > Playing sequence stretches out beautifully with rich improvisation. The closing Wharf Rat > Truckin' is powerful and uplifting, balancing emotion with swagger to end the night on a high note.

 

12/3/1981 Dane County Coliseum, Madison, WI - This is an excellent show from start to finish, with the band sounding sharp and fully engaged throughout.The first set has plenty of highlights. Jack Straw is tight and energetic, They Love Each Other flows with warmth, and the Loser > C. C. Rider pairing balances soulful depth with grit. Cassidy is crisp and lively, Deep Elem Blues adds a playful touch, and the Miracle > Bertha sequence closes things out with a burst of joyful energy.

 

The second set keeps the momentum strong. Scarlet > Fire is vibrant and expansive, Estimated > He’s Gone carries both tension and release, and the Space > Truckin’ > Black Peter sequence moves from exploration to swagger to heartfelt emotion. The Baby Blue encore is a beautiful, tender finish to a truly memorable performance.

 

12/3/1990 Oakland Coliseum Arena, Oakland, CA - 1st of a 2-show run. Fresh off the European tour, this was the first west coast show with Vince Welnick and Bruce Hornsby, and the band came in fired up. Bruce’s keyboard work really stands out here—he pushes the music forward with inspiring energy and creativity.

 

The first set has some excellent moments. Stranger is tight and funky, West L.A. Fadeaway grooves with grit, Ramble On Rose is playful and heartfelt, and Cassidy shines with crisp interplay.

 

The second set keeps the fire burning. The China Cat > I Know You Rider sequence is joyful and flowing, Estimated > Terrapin builds beautifully with tension and release, and Space > Wheel carries a sense of exploration that lands in uplifting territory. The Weight encore is a perfect closer, soulful and celebratory, leaving the night on a high note.



December 4th

 

12/4/1971 Felt Forum, Madison Square Garden, New York, NY - 1st of a 4-show run. The Felt Forum was a medium-sized theater inside the Garden that held about 4,000 people, and the atmosphere felt intimate yet electric. Coming right after the Boston shows—Pigpen’s first appearances since returning from medical leave—it’s clear he was getting stronger, because here he really cranks things up several notches compared to Boston.

 

The first set is full of highlights. Truckin’ has swagger and drive, Sugaree is soulful and heartfelt, and Mr. Charlie shows Pigpen in fine form. Tennessee Jed rolls along with its easy groove, Run Rudolph Run adds a fun seasonal touch, and Smokestack Lightning digs deep into the blues. Cumberland Blues is tight and energetic, and Saturday Night closes things out with a burst of rock-and-roll fire.

 

The second set is anchored by a big jam sequence: Me & My Uncle > Other One > Mexicali > Other One > Wharf Rat. The transitions are adventurous, with Other One weaving in and out of the flow, and Wharf Rat landing as a powerful, emotional finish. It’s a thrilling stretch that shows the band pushing themselves and delivering something truly memorable.

 

12/4/1973 Cincinnati Gardens, Cincinnati, OH - This is a really nice, obscure show that I think deserves more attention. The circulating tapes only give us about two hours of music, which is short for 1973, so there may be songs missing. Still, what we do have is excellent. Part of this performance was officially released on Winterland 1973: The Complete Recordings Bonus Disc, which makes sense given how strong it is.

 

The first set is full of highlights. If they really did open with Johnny B. Goode, it would be the only time the band ever did that. It’s not the most scorching version I’ve heard, but it’s perfectly executed. The Sugaree that follows is a standout, and China Cat Sunflower > I Know You Rider, Deal, and Big River all shine. Truckin’ is peppy and features one of the most unusual jams I’ve heard—it almost feels like they’re trying to shift the time signature, but it doesn’t quite lock in. Since it doesn’t fully click, they don’t stretch it out too long and instead move into a gorgeous Stella Blue. The set closes with a rousing Around and Around.

 

The second set, assuming nothing is missing, opens with a monster Eyes of the World > Jam. The tempo is perfect—not too fast, but still full of punch—and Jerry’s solos are outstanding. At nearly 24 minutes, including a detour into deep space, it’s one of my favorite versions. From there, they segue smoothly into a groovy Sugar Magnolia, which skips the usual “Sunshine Daydream” refrain and instead diverts into a blistering Goin’ Down the Road Feeling Bad, before ending with a strong Casey Jones.

 

12/4/1979 Uptown Theatre, Chicago, IL - 2nd of a 3-show run. This show is excellent and full of high energy, even if it doesn’t get talked about as much as the other two from this run. I think it’s every bit as good.

 

The first set has some wonderful highlights: Jack Straw is sharp and driving, Peggy-O is played beautifully, and They Love Each Other has a sweet, relaxed groove. Stagger Lee is delivered with style, and the sequence of Passenger > Deal is fiery and satisfying.

 

The second set is just as strong. China Cat Sunflower > I Know You Rider is joyful and flowing, and the sequence of Estimated Prophet > Franklin’s Tower > Jam is adventurous and powerful. From there, Space > Not Fade Away > Stella Blue > Sugar Magnolia makes for a fantastic closing stretch, balancing exploration, emotion, and celebration.

 

12/4/1990 Oakland Coliseum Arena, Oakland, CA - 2nd of a 2-show run. The band was really on for this one, and right from the start I could tell it was going to be a strong night. The first set kicks off with a rousing Jack Straw, setting the tone with high energy. Other highlights for me include a flowing Half Step > Walkin’ Blues, a sweet and soulful Candyman, a heartfelt Masterpiece, a beautifully expansive Bird Song, and a lively Valley Road.

 

The momentum from the first set carries straight into the second set, and the energy never lets up. Eyes of the World opens things with a bright, inspired jam, and the sequence of Truckin’ > Smokestack Lightning is gritty and powerful. From there, The Other One > Wharf Rat > Lovelight makes for an incredible closing stretch. According to people who were there, Huey Lewis came out to play harmonica on Lovelight, but it’s not audible on the recordings—apparently his mic wasn’t turned on. It’s a shame, because that would have been a fun touch, but even without it the set is a knockout.



December 5th

 

12/5/1971 Felt Forum, Madison Square Garden, New York, NY - 2nd of a 4-show run. The band comes back for night two and delivers another strong performance. The first set feels solid and well executed, even if it leans a bit on the formulaic side without much extended jamming. Still, I find it very enjoyable, with highlights like Bertha, Beat It On Down the Line, and the rare Muddy Water, which is the only time they ever played it. Deal is sharp and lively, and Comes a Time adds a beautiful, heartfelt touch.

 

The second set is where things really open up. Truckin’ drives with energy, Ramble On Rose is playful, and Sugaree stretches out with passion. Sugar Magnolia brings its usual burst of joy, and then comes the centerpiece: Dark Star Jam > Me and My Uncle > Dark Star Jam > Sitting on Top of the World, a sequence that blends exploration with surprise. The closing stretch of Not Fade Away > Goin’ Down the Road Feeling Bad > Not Fade Away is powerful and celebratory, sending the night out on a high.

 

12/5/1979 Uptown Theatre, Chicago, IL - 3rd of a 3-show run. This show is a true high-energy scorcher, with the band firing on all cylinders from start to finish. The first set has some fantastic highlights: Alabama Getaway > Greatest Story Ever Told bursts with intensity, Dire Wolf is sweet and heartfelt, and Cold Rain & Snow comes in strong and driving. The sequence of Althea > Lost Sailor > Saint of Circumstance is another standout, blending emotion with power.

 

The second set keeps the energy flowing. Shakedown Street is funky and joyful, and the sequence of He’s Gone > The Other One digs deep into exploratory territory. From there, Black Peter > I Need a Miracle > Bertha > Good Lovin’ makes for a powerful run that balances emotion and celebration. The night closes with a double encore of Johnny B. Goode and Don’t Ease Me In, sending the crowd home buzzing with energy.

 

12/5/1981 Market Square Arena, Indianapolis, IN - This show is bursting with energy, especially in the first set, which feels like one of the hottest I’ve ever heard. They kick things off with a ripping Alabama Getaway > Promised Land, and while the pace cools briefly with a sparkling Friend of the Devil, the band comes roaring back with a totally unique C.C. Rider. About halfway through, they shift into a double-time beat—the only time they ever played it this way—and it’s wild to hear them carry that breakneck pace to the end. From there, a blistering Cumberland Blues flows seamlessly into an outstanding El Paso, and the rest of the set is packed with highlights: Ramble On Rose, a Passenger described as a Jam Anthem version, and a Bird Song > Let It Grow sequence that’s also noted as a Jam Anthem version.

 

The second set sees the energy dip only slightly, but it’s still full of standout moments. Shakedown Street is funky and fun, Saint of Circumstance is powerful, and the sequence of Big Railroad Blues > Playing in the Band keeps things rolling. From there, The Wheel > Playing in the Band > Stella Blue > Sugar Magnolia makes for a beautiful and adventurous run, and the encore of One More Saturday Night closes the night with a burst of rock and celebration. I wouldn’t be surprised if this one gets an official release someday—it’s that good.

 

12/5/1992 Compton Terrace Amphitheatre, Tempe, AZ - This is a really great show from ’92 that doesn’t get as much attention as some others, but I think it deserves a spotlight. The band feels in sync, playing with passion and energy, and it has all the elements I look for in a show from this era.

 

The first set has plenty of highlights: Let the Good Times Roll sets a joyful tone, Bucket > Sugaree is lively and heartfelt, Tom Thumb’s Blues adds a unique flavor, Candyman is sweet and soulful, and The Music Never Stopped closes things with a burst of energy.

 

The second set is just as strong. Scarlet Begonias > Fire on the Mountain glows with intensity, and the sequence of Estimated Prophet > Jam stretches out beautifully. The Wheel is uplifting, Black Peter > One More Saturday Night balances emotion with rock energy, and the encore of The Weight is a perfect, soulful way to send the crowd home.



December 6th

 

12/6/1971 Felt Forum, Madison Square Garden, New York, NY - 3rd of a 4-show run. Officially released on Dave's Picks Volume 22 and Dave's Picks Volume 22 Bonus Disc (2017). I love Bill Graham’s introduction: “Beneath all the madness, a bundle of joy, The Grateful Dead.” The first set reminds me a lot of the previous night—tight and well played, though a little by the book. Still, there are plenty of highlights: Truckin’, a heartfelt Loser, the gritty punch of Mr. Charlie, a lively China Cat Sunflower > I Know You Rider, the seasonal fun of Run Rudolph Run, a soulful Black Peter, and a rocking Casey Jones to close things out.

 

The second set keeps the energy flowing with Big Railroad Blues, a playful Ramble On Rose, and a strong Playing in the Band. The centerpiece for me is the sequence of Cryptical Envelopment > Drums > The Other One > Me and Bobby McGee > The Other One > Wharf Rat, which balances intensity with beauty. They wrap things up with One More Saturday Night, and the encore of Uncle John’s Band is the perfect way to send everyone home smiling.

 

12/6/1973 Public Hall, Cleveland, OH - This whole show is incredible, and while it’s mostly remembered for two things—the longest known Here Comes Sunshine at over 15 and a half minutes, and a beautiful, unique, nearly 44-minute Dark Star with deep space exploration—there are plenty of other highlights that make it special.

 

The first set is packed with strong performances: Bertha bursts with energy, Loser is heartfelt, Deal is sharp and lively, and Row Jimmy flows with soulful ease. Greatest Story Ever Told adds punch, while China Cat Sunflower > I Know You Rider is joyful and seamless. They wrap the set with a rocking Around and Around.

 

The second set kicks off with a cool, laid-back Ramble On Rose, followed by a rousing Me and My Uncle. Then comes the monster Here Comes Sunshine, with a massive jam in the middle. Jerry’s guitar work is blistering, and Keith and Phil shine just as brightly, making this version truly special. After a solid Big River, the centerpiece arrives: Dark Star > Eyes of the World > Stella Blue, a sequence that stands as one of the great gems of the era. The show closes with a ripping Sugar Magnolia, complete with a powerful Sunshine Daydream coda.

 

12/6/1980 Recreation Center, Mill Valley, CA - This benefit show for kids with muscular dystrophy stands out as one of the nicest acoustic sets I’ve heard. The band feels relaxed, clearly enjoying themselves, and the whole performance flows beautifully. Every song is a highlight, but I’m especially drawn to Dire Wolf, a lively On the Road Again, a heartfelt Jack A Roe, a graceful Cassidy, and the rare treat of Ain’t No Lie.

 

12/6/1981 Rosemont Horizon, Rosemont, IL - This is a really nice show from start to finish, and it’s especially notable since it was the band’s first time playing the Rosemont Horizon, which had just become the new premier venue in Chicagoland. They would return here many times through 1994. I’ve heard people say the band didn’t enjoy playing the venue because of the acoustics and its location right next to O’Hare, with planes supposedly audible during concerts, but I can’t say for sure if that’s true.

 

The first set has some great highlights: Sugaree is warm and expansive, the sequence of Candyman > Little Red Rooster blends sweetness with grit, Tennessee Jed is playful and lively, and China Cat Sunflower > I Know You Rider is joyful and flowing.

 

The second set keeps the energy strong with Samson and Delilah, followed by a powerful Estimated Prophet > Eyes of the World. The closing sequence of Space > Not Fade Away > Wharf Rat > Good Lovin’ is adventurous and satisfying, and the encore of Brokedown Palace is a beautiful, heartfelt way to end the night.



December 7th

 

12/7/1968 Knights Hall, Bellarmine College, Louisville, KY - This is a beautiful and unique show that really shows the band developing several songs in fascinating ways. Dark Star is becoming more stretched out during this period, and this version runs about 13 and a half minutes. Jerry’s phrasing already hints at what would make the song such a masterpiece in the years to come. After the second verse, they wind it down in the typical fashion of the time and move into Saint Stephen, which was still evolving. At this point it had only been played live 18 times, and you can hear how they were refining it each time. About a year and a half later the song would lose the “William Tell” bridge, which allowed it to be placed in different spots in the set list, like before Not Fade Away, where it became especially popular. Here, as was common at the time, they transition into a raging The Eleven. It’s not the longest version, but it’s incredibly powerful, and it’s followed by an emotional Death Don’t Have No Mercy.

 

The centerpiece jam of the night comes in the sequence of Cryptical Envelopment > Drums > The Other One > Cryptical Envelopment > Jam > New Potato Caboose, which is played with real intensity. This tape also contains the only known performance of Rosemary, from the Aoxomoxoa album—a delicate song about a girl in a garden that becomes a forbidden place. I’ve always wondered what inspired Jerry to bring that one out. The rest of the show is more mellow but still strong, with good renditions of He Was a Friend of Mine, It Hurts Me Too, and a moving Morning Dew > And We Bid You Goodnight to close.

 

12/7/1971 Felt Forum, Madison Square Garden, New York, NY - 4th of a 4-show run. Officially released on Dave's Picks Volume 22. This whole show is outstanding, full of energy with the band sounding more relaxed and willing to stretch things out compared to the previous three nights. Pigpen in particular feels stronger here, adding a lot to the overall vibe.

 

The first set has plenty of highlights: Cold Rain & Snow is crisp and driving, Mr. Charlie brings Pigpen’s grit to the forefront, and Jack Straw is sharp and energetic. Next Time You See Me adds some bluesy swagger, Tennessee Jed is playful and fun, and Run Rudolph Run is a rare treat. Cumberland Blues is fiery, and Casey Jones closes things with a burst of excitement.

 

The second set keeps the energy flowing with a lively Sugar Magnolia, a heartfelt Ramble On Rose, and a gritty Smokestack Lightning. The sequence of Not Fade Away > Goin’ Down the Road Feeling Bad > Not Fade Away is powerful and celebratory, and they wrap it all up with a rocking One More Saturday Night.

 

12/7/1979 Indiana Convention Center, Indianapolis, IN - This entire show is outstanding, with the band locked in and playing with real energy. The first set has some great highlights: New Minglewood Blues is fiery, the sequence of Me and My Uncle > Big River is tight and driving, Big Railroad Blues rocks with grit, and The Music Never Stopped closes things with a burst of joyful energy.

 

The second set is just as strong. China Cat Sunflower > I Know You Rider is bright and flowing, while Eyes of the World > Lost Sailor > Saint of Circumstance > Jam makes for a powerful and adventurous sequence. From there, Wharf Rat > Around and Around balances emotion with rock energy, wrapping up the night in style.



BTW, If you're not yet familiar with Jam Anthem versions of songs you can read all about it in Deadology II by Howard Weiner. Check it out here along with all his other great books.


And that's all for now! Of course, if you want to follow along in your very own copy of my book On This Day In Grateful Dead History: A Daily Listening Journal I still have some copies available here. Once they're sold out, I won't be getting any more made. The costs of printing and shipping has almost doubled in the last few years since I had them printed, and I've decided it's just not worth it. So get one now while you can! https://www.gratefuldeadbook.com/tigdh


A picture of the book On This Day in Grateful Dead History

A picture of the inside of the book On This Day in Grateful Dead history opened to the chronological show list section

A picture of the inside of the book On This Day in Grateful Dead history opened to the monthly summary calendar page for the month of June

A picture of the inside of the book On This Day in Grateful Dead history opened to the page for the shows on June 24th

Peace out my good people. Until next week!



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